4M,2F (or 3M,3F). Full-Length (90 min). A collection of 3 one-act plays about William, a troubled teenager, boy, and man, as he descends further and further into madness. Each act takes place in a separate room in William's house, and symbolically, his mind. The titles are ATTIC, BASEMENT and CRAWLSPACE.

ATTIC won the Kennedy Center/ACTF Short Play award, 2004

"If you like psychological thrillers, you REALLY need to see THE DARKER PLACES TRILOGY. With a tight script by Daniel Guyton, spectacular direction by David Crowe, and an amazing, talented cast. I was blown away." (Rachel Jones, The Alliance Theatre, 2012)

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6M,1F. Full-Length (80 min). Gary is a homophobe. The play explores his prejudices in one of the funniest, most shocking tragedies of all time. Loved and hated by critics across the globe, this play nearly caused someone to choke to death on opening night in Iceland. Some say it was from laughter. Others say it was the bile in the back of her throat. Regardless, you'll never forget the experience as Gary tries to prove how "not gay" he truly is. Mature audiences only.

Winner of the Best Comedy Award from the Author’s Playhouse New Author’s Festival, 2005

"Artistically flawed... morally repugnant... I'M NOT GAY! [belongs in] a category of its own - the theatre of the obnoxious." (Grant Tyler Peterson, offoffonline.com, 2005)

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6M.4F. Full-length (2 hrs). When a metal shortage threatens the infrastructure of the mythical land of Steel City, scientist Isabella McGleetch goes on a quest for the infa-mous Brass Banyan - a tree that grows as solid brass. Meanwhile, a group of political dissidents and saboteurs have been disrupting the daily life of the city, and making things very different for Mayor Gunson - a half-man, half-machine dictator whom the citizens fear.

Semi-Finalist - AACT NewPlayFest, 2018

Unproduced

7M,7F (flexible gender). Full Length (90 min), Based on a poem described in The Brothers Karamazov by Fyodor Dostoyevsky and written in rhyming Iambic pentameter. The Virgin Mary travels to hell to comfort the souls in torment. While there, she condemns her own soul to save those of all mankind - much to God's dismay. What erupts is a war between Heaven and Hell, with all of our souls in the balance.

Winner of the Helen-Jean Play Contest Literary Creativity Award, 2015

Honorable Mention in the Triad Shakes New Play Competition, 2017

Official Selection of the Last Frontier Theatre Conference in Valdez, AK, 2014

Semi-Finalist in the Princess Grace Playwriting Fellowship, 2014

"THE MOTHER OF GOD VISITS HELL has my strongest recommendation. It holds out the hope that American playwrights will move above realism. What's more, Mr. Guyton's talents as a poet and a dramatist are stellar, and the script is a model for other dramatists." (Steve Capra, The Living Theatre in NYC, 2009)

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2M,3F. Full-length. Story idea by L Marcus Williams. Three high-borne women in Victorian Era England must face a brutal reality when the patriarch of the family passes away, leaving them with no money and with little hope for the future. When a strange man appears at the doorway, it seems that hope may be restored. Or will it?

Winner of 7 Metropolitan Atlanta Theatre Awards for Best Overall Performance of a Play, Best Director, Best Ensemble Acting, Best Lead Actor, Best Lead Actress, Best Costume Design, and Best Lighting Design, 2018

Top Ten Semifinalist in Stanley Drama Award Competition, 2017

Finalist in Kitchen Dog Theatre's New Works Festival, 2017

"THREE LADIES OF ORPINGTON brings belly laughs in a smart, poignant small cast play. It has all the fun of The Importance of Being Earnest, but with a little fantasy, a little sex, and much more empowered women. I highly recommend this for open-minded groups who want to work on a challenging and hilarious play." (Joelle Re Arp Dunham, Circle Ensemble Theatre, 2018)

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5M,4F. Full length (90 min), 15-year old Julie runs away from home to escape her abusive father, her delusional mother, and her autistic younger brother, only to find herself "knocked up" by her drug dealing boyfriend, harassed by her selfish older sister, and shunned by her Born-Again Christian friend. But, when she contemplates abortion, that's when the play gets really funny. Mature audiences only.

Winner of Kennedy Center/ACTF Region II Playwriting Award, 2001

Winner of Northwest Zone High School Drama Festival's Best Production, Best Actress, Best Supporting Actress, and Best Sound Awards, 2008

"Daniel Guyton has done a fantastic job of creating likeable characters out of what may at first appear to be less than desirable stereotypes. WHERE'S JULIE? may at times be offensive, crass, and in your face. But that’s the point. Sometimes life is exactly that. If you only take one thing away from this performance, let it be this: sometimes life can be downright miserable, but there’s always room for laughter if we don’t take ourselves too seriously... If you like dark, offensive comedy (think South Park or Family Guy), with a good deal of wit and character, then this is your kind of theater!" (Richard Sagendorf, Mostly Harmless Productions, 2012)

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